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Mise-en-place

     A professional restaurant chef won’t even begin to cook until everything is gathered and organized, basic ingredients are chopped, juiced, crushed and otherwise prepared, and everything is set up at the work station. It’s part of the prep for service and it’s called mise-en-place, from the French meaning “put in place;” most cooks, even serious home cooks, are very particular about the  arrangement of their own “meez,” which might include salt, pepper, softened butter, oils, wine, citrus, parsley, herbs, or anything else specific to their menus. Home cooks like me who are making only one meal will go so far as to pre-measure ingredients into individual dishes and line them up in sequence of use. That way, once begun, I can proceed in a smooth and orderly fashion without running around the kitchen in search of the flour while the butter for the roux burns on the stove!  

     I’ve been cooking a lot lately, mostly because I’ve had a string of houseguests, but also because late spring and early summer here bring a bounty of fruits and vegetables to the table.  We’ve already harvested grapes (before they shriveled in the heat) and put up grape jelly, and we dug up enough new potatoes and onions to share with our neighbors.  Our tomatoes, those that didn’t get pecked by the birds, withered on the vine, but there are oh so many beautiful, multi-hued specimens available mostly from Mexico that I can’t be too begrudging about our own crop. And those luscious ears of bi-color, butter-and-sugar corn, at three or four ears for $1 in local supermarkets, are the best to be found anywhere outside of South Jersey in August.

     Of course, THE spring/summer star of South Texas every year is the peach crop. Peaches are plentiful in the markets, but are likely to be even fresher, and cheaper, in the fruit stands that pop up along the roadsides. We usually take a drive up to Fredericksburg in the Hill Country and buy peaches by the peck (or the bushel) to put up peach jam, make pies and peach cobblers, and of course, my fabulous peach tart (above), a Paula Deen recipe which tastes every bit as good as it looks. Why wouldn’t it, with all that butter, sugar, and sour cream! 

     Certainly, great food beautifully presented is a high art and the very best chefs, those earning Michelin stars    Bocuse, Ducasse, Robuchon, Heller and the like — rightfully gain reputations as great artists.  For most of us, though, cooking is a craft involving skills and techniques that can be learned, practiced, and improved over time. I never spent time in the kitchen growing up and was hardly able to boil water when I got married, but I loved to eat and was determined to learn my way around food preparation. Lessons with Julia Child and The Art of French Cooking on PBS, television tutorials in technique with Jacques Pepin and La Technique, and a dedication to collecting cookbooks and attending classes, including at the CIA, helped me do that. The science, the system, the precise sequences of assembling a great meal appeal to me, and I find a certain solace and satisfaction in the orderliness of the kitchen, particularly at times of stress and indecision in other areas of my life. I can count on the process; I don’t experience failure in the kitchen. But, I’m under no illusions; I am not a true culinary artist. I follow recipes and realize some pretty complicated, sophisticated dishes, but I don’t originate them or bring them to new heights. 

     So, once all my company departed, I turned my attention to another creative endeavor where I do have higher aspirations: a new art quilt project that I want to enter into a juried global exhibition this fall. The piece has to be finished and photographed, complete with artist statement and entry forms, by the end of October. Considering that I already have some travel plans in the next couple months and won’t be able to be working on this project with uninterrupted attention,  I’m already feeling the pressure of that impending deadline. 

    Sewing, like cooking, is also a craft involving skills and techniques that can be learned and, like cooking, “recipes” in the form of others’ patterns and designs can be followed and produce some pretty accomplished work. (See my Gallery and pieces attributed to other pattern designers.)  But in the world of the art quilt exhibition, the work has to be original and not derivative, meaning that the artist has to have created the original concept and pattern and then translated that into a fabric. There are myriad decisions to be made along the way, from the basic design and size, to the techniques of construction, to the selection of fabrics and elements, to their arrangement and embellishment. This is not a “paint-by-numbers” kit.

     I love art quilting precisely because of the challenge, but it requires tremendous pre-planning and multiple decisions at every step. So, after I have my design and have drawn my patterns, which is no easy accomplishment in itself, I begin construction with a mise-en-place.  I collect all the tools I will need, the markers, scissors, needles, threads, stabilizers; I gather all the possible fabrics, considering their values and textures and placements in the design; and then I begin auditioning those fabrics and placing samples on the overall pattern. Setting things in place gives me confidence, at least initially. But since there is no exact recipe to follow, the mis-en-place often requires adjustments, backsteps, re-evaluations, and still more decisions. It makes me crazy!

     Which is where I am right now, and why I’m spending so much time cooking with a reasonable shot at a successful outcome. 

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Dammit I’m Old!

   According to the Census Bureau, the nation’s 90 plus population is soaring; it has almost tripled since 1980, reaching 1.9 million in 2010, and promising to increase to more than. 7.6 million over the next 40 years. Americans are living longer and dying less than ever before!

     People 90 and over now make up 4.7 percent of the population, a number that is expected to  reach 10 percent by 2050. Most of that projection is due to the aging baby-boomers, who drew their first Social Security check in 2008 and now continue to become eligible at the rate of 10,000 people a day. No wonder everyone is worried about the government’s piggy bank. The greying of America is an expensive proposition.

    In spite of all the hype that says people are living better as they live older, the fact is that 60 is not the new 40, and 80 is not the new 60.  That’s bull; the hype may work for advertising purposes to sell vitamins and skin care products, but it doesn’t match the realities for those of us who are well over 60 ourselves and are taking care of someone well over 90. Contrary to what the dedicated optimists among us want to believe, a long life is not necessarily “a blessing” and old age is not exactly a “day at the beach” — even in Miami.

    America has always been obsessed with youth, beauty and health, pretty much in that order. Consequently, as you get older, you start to disappear; others easily walk, and talk, past you unless you assert yourself. Nor are oldsters usually able to remain productive members of the family and society, since multi-generational living and the basis of support that offers is not the cultural norm here the way it is in many other countries. In the US, a vast majority of people over 90 live alone or in nursing homes. This is not a pretty picture, even in the best of circumstances. Disabilities and old age go hand in hand, and not everyone has a competent care-giver or the financial resources to secure adequate care in a residential facility. About 15 percent of those over 90 live in poverty, and most of them are women. 

     My Mother celebrated her 95th birthday last week. I say “celebrated,” though in truth  “celebrated” is a rather grandiose verb choice. A favorite cousin was in town, and my husband, son and I brought an ice-cream cake and balloons for a little party with the other residents in the assisted-living home. Mother looked forward to her birthday, as she always has, even as she shook her head in disbelief each time someone reminded her how old she was. She had gotten her hair done in the morning, her aids had  dressed her in a new outfit, and she opened some birthday cards and a couple small gifts. We all tried to be “celebratory.” 

     The difficulty in celebrating any occasion as you grow older is that there are fewer and fewer pleasures available with which to do it. Dietary restrictions, mobility issues, vision and hearing loss, drug interactions, muscle weakness and fatigue all impose limitations on how much fun one can really have. Nor are there lots of people to celebrate with, since the older you get the more likely you are to have outlived most of your friends and relatives. Given those prospects for my own future, I think I’d better start celebrating more “unbirthdays” pretty soon. 

     The oldest friend I ever had in terms of age died in 2015 at 93. She was actually the mother of a childhood friend of mine, but she truly became my own adult friend over the years. We spoke often and visited when we could. Vibrant in spirit until the very end of her life, she did ultimately die in a nursing home. The last time she was at my house was when she came through San Antonio to fly out to see her daughter (my childhood friend) in California. I took her to the airport where we encountered some confusion and difficulties regarding her wheelchair assistance and procedures at curbside check-in. The people there tried to be nice, but there was this and that, rules and regulations, the “you need to…” and “you can’t…”  Finally, out of patience with the rigamarole and getting tired before her trip had even begun, she said rather loudly, “Dammit I’m old. I can do what I want!” Everybody laughed, the problems dissolved, and I found a new mantra.

     The one good thing about getting older is that you develop the long view (unless you’re stupid and haven’t paid attention to experience). When you have way more years behind you than are left ahead, you get a sense of perspective. You learn to filter out all the noise, dismiss all the social nonsense, and get down to the people and pursuits, and maybe those last bucket-list places, that really matter. Some might call this the acquisition of wisdom, some might call it being selfish or self-centered, and some might call it becoming downright cantankerous. 

     I don’t care what anyone else calls it, I call it freedom. “Dammit I’m old. I can do what I want!”

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Snow Days

     

     When I was teaching in public school in Connecticut years ago, snow days, called when the dreary days of winter delivered more of the fluffy (or not so fluffy) white stuff to the area than had been anticipated, offered a welcome hiatus from the usual routine.  A snow day was Mother Nature’s freebie to spend as you pleased, because you hadn’t counted on having it in the first place. It was also an excuse: you were shut in, constrained by cold conditions, and thus not expected to tackle any big chores or fulfill any big obligations because, again, you hadn’t intended to get to them that day in the first place. Ah bliss — you could blame the weather for your lack of industry and sociability!  

     Of course, rarely did I do absolutely nothing on those found days, but I sure did enjoy the freedom of choice. Often I spent the day reading and writing, or sewing, or corresponding with far-away friends. Sometimes I took a nap; sometimes I got into a culinary frenzy, baking cookies or canning vegetables or even creating a lavish weeknight dinner. Oddly enough, snow days always seemed longer than regular days, probably because I wasn’t racing through activities, even fun activities, on a jam-packed schedule the way I did every other day of the week, including weekends. 

         Over time, the term “snow day” became, for me, a euphemism for the unexpected, often serendipitous, break in routine caused by conditions beyond my control: weather, travel delays, loss of power/cable, or some other interruption. Of course, unexpected events aren’t always small, aren’t always pleasant, and don’t always come without forcing still more responsibilities on us in place of whatever has been suspended. (I recall Hurricane Harvey last fall.)  Even dire events, however, can offer new ways of looking at things, since we are compelled to abandon business as usual and to consider more carefully what is ahead.  

     Last week, I had an improbable series of “snow days” due to illness — a terrible cold that confined me to my bed for four full days here in 101 degree weather in South Texas in June. Now I wasn’t bed-ridden with a fever-induced delirium; rather, I just felt too lousy to get up and DO much of anything. So I didn’t. I stayed put. I read and I wrote and I dozed and I read some more while I ate my soup and drank my ginger ale and rubbed with Vick’s Vapor Rub. I cancelled appointments, didn’t watch the news, barely checked e-mail, and let phone calls go to voice mail. I had an excuse: I was sick. I also had the chance to catch up on some much-needed, long-overdue rest, which is probably why I got sick in the first place. Once my episode was over, I quickly realized that nothing was the worse for my having opted out for a few days and that I, in fact, was even better than “just better.” 

     It has been my experience that people in general, but women in particular, do a lot things  they don’t want to do because they have contracted too many obligations to too many others (and even assumed some of the obligations that rightfully belong to others). We get into a rut of routine roles and expectations at home, at work, among our friends, even in clubs and organizations. We begin, in a misguided way, to think we are indispensable. We find ourselves saying “yes” when we really mean “no,” and then grow angry and resentful about it. By the time we decide to break the cycle, we don’t even remember how to say no without a litany of excuses and maybe some guilt attached.

      I’ve spent a fair amount of time over the years in front of a mirror shaping my lips and practicing the long vowel sounds of  “Noooo …Noooo.”  Periods of over-extension and bouts of exhaustion and anxiety have rendered some hard-earned lessons, lessons I still have to review even now in semi-retirement. It takes courage to stand up for yourself, to claim your time and energy as your own, and to put your own priorities first. This is not selfish, it’s what sensible, reasonable people do. The needs and demands others make of us are not all created equal, and very few of those demands are actually of life-or-death importance. Even when they are, it pays to consider the survival advice routinely given to airline passengers: put your own oxygen mask on first before helping others. 

     You’d think at my stage of life, after all the emergencies great and small and disasters major and minor that I’ve been through, that I would no longer have to think twice about what I do and do not agree to. But, old habits die hard. I recently bought a t-shirt that reads, “Sorry I’m late. I didn’t want to come.” 

     And there you have it! The passive-aggressive position of someone who still needs a snow day to say “no.”.

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What Happens in Vegas …

     I’ve been to Las Vegas often, but not for a while, so when I flew into McCarran International Airport last week to meet up with friends, I was first struck by the sprawl on the ground below, and then by the sprawl of the airport itself. There are now three terminals, all with  conveyances to move you from plane to train to level to bus— and that’s just to get down to the baggage claim!! It took me well over an hour from the time I walked off the flight until I exited the huge off-site “transportation center” in my rental car. 

     By then, I was in the thick of 5 o’clock traffic as I headed out to a favorite fabric store, Quiltique, in Henderson. They were due to close at 6, so I was in quite a snit, not because it was a long drive or because I couldn’t find the street, but because the store these days is “hidden in plain sight” within the (here’s that word again) “sprawling” conglomeration of shopping centers, Walmarts, grocery stores and restaurants that have totally engulfed the area since I was there last. I called them; they waited for me and allowed me to stay past closing. By the time I headed to my hotel on the Strip around 7, I figured the traffic would have eased and the trip would be a breeze, but no. And so the story of Vegas emerged in less than 2 hours on the ground: this place is exploding!

     People are calling Nevada the “future face of America” and nowhere is its countenance clearer than in Las Vegas. That’s not surprising, given that three-quarters of the State’s population live in Las Vegas/Clark County and that the ethnic, social, economic, and political demographics of that area are driving the make-up of the rest of the State.  Clark County’s population alone is at a record high of 2.25 million; it grew last year by 43,000 people; fewer than half the residents are white: most have migrated not only from other countries, but from other parts of America, especially from California; the Clark County school system is the fifth largest in the nation with 154 languages spoken at home, Spanish and Tagalog predominating. (US News, “Best States,” 8/30/2017)  Furthermore, while the rest of the Country argues over immigration, the big hotel owners and the 50,000 member strong Culinary Union (made up of hospitality staff who cook, clean, serve, and work the casinos) not only support it, but embrace it, by offering employees job training, healthcare, classes toward citizenship and hands-on help toward upward mobility.

     Brian Sandoval, a popular Republican Governor, has been in office since 2010  (but not running for re-election this fall) and, since 2016, working with a hugely diverse Democratic legislature.  Together (there’s a concept) they have managed to navigate a long recovery from the Recession and to address critical issues important in their state: water, education, housing, employment and the economy. The make-up of the population may have changed, but that fiercely independent Western spirit long-prized by once conservative Nevada remains an enduring tradition, even though today’s electorate is thoroughly progressive, tolerant, and blue. 

     The weather in Vegas last week was actually quite pleasant, considerably cooler than here at home in San Antonio, which could explain, at least in part, why so many people were out on the Strip. Sidewalks were jammed, much like 5th Avenue in New York during the holidays, and everybody carried shopping bags. Some of the newer hotels don’t have casinos anymore (mine didn’t), but you can be sure that all lobbies lead to shopping opportunities. The Shops at Crystals, for example, are directly accessed through the Aria Hotel and connected by an Aria Express tram to the Monte Carlo Hotel at one end and the Bellagio at the other. This 500,000 sq.ft. retail mecca designed by architect Daniel Libeskind houses 45 luxury retailers including Versace, Dolce & Gabbana, Bvlgari,  Hermés etc. — all the high-end merchants for the high rollers yearning for goods that can’t be found in suburban malls at home. What happens in Vegas doesn’t stay in Vegas anymore; it goes home in shopping bags!

     As a matter of fact, “destination shopping” has become one of the major entertainment draws, especially for international visitors, along with sight-seeing, dining, Mojave Desert adventures, shows, and sporting events. (The Golden Knights professional hockey team is headed to the Stanley Cup finals as I write this).  The effort to clean up Las Vegas, to erase the “sin city” image and make it more family friendly, has resulted in a dramatic rise in tourism and convention traffic, with some 43 million people annually spending about $35 billion while they’re there. However, according to a Las Vegas Visitor Profile Study (Dec. 2017), visitors today, even repeat visitors, tend to be younger, more diverse, married, college educated, and far more interested in activities other than gambling. The Study reported that 77 percent of them spent only 2 hours or less gaming. From what I saw in the casinos, at least half of the tables were closed, and the other half were manned by bored croupiers without players.

     Wandering through the Aria, a truly beautiful hotel designed by César Pelli, I was struck by how much it is NOT evocative of the old Las Vegas. Increasingly, even the themed hotels and resorts built in the 90s, the Paris, the Excalibur, the Venetian, the Mandalay Bay, Caesars, all of which supplanted the icons of the 1950s — the Sands, the Hacienda, the Dunes, and the Boardwalk (where the Aria is today) —  somehow seem quaint in the face of this new Nevada. The Aria, gorgeous as it is, could be located anywhere, in almost any country. Hotels, restaurants, clubs, and shops are all about trends and technology these days. The sleeze, the kitsch, and the naughtiness of Vegas are gone, and so in a way is the romance. And so, by and large, is the humor with which Vegas parodied itself. 

     On my last day I go down to Fremont Street to pay homage to the last vestige of the Old Las Vegas, to take a turn on the roulette wheel at Binions and to check out the cheap souvenirs on the plaza. Most people don’t realize that this is really all that’s left of the original Vegas, the place where the mob ruled, where Hollywood producers made deals under the cabanas around the pool at the Golden Nugget, and where the Rat Pack could be seen having cocktails in the afternoon. Even Fremont Street has been “cleaned up” and renovated, but still most visitors don’t go downtown anymore. It’s too far, too old, and they’re just not into nostalgia. This is the new Nevada, young, active, unsentimental, proclaiming the egalitarianism and pluralism of a new generation. 

     Watch out, America, because what happens in Vegas is no longer staying there.

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The Good Ole’ Days

I have several friends  who regularly forward those “Do you remember when…” e-mails full of words and phrases and items of daily life that are no longer used, or even recognized, such as rotary phones, manual typewriters, Palmer cursive writing, ruffled petticoats, and so on. They serve to remind those of us “of a certain age” that we are, indeed, getting on, and to suggest that perhaps our best years, “the good ole’ days,” are behind us.

     Now I’ve never been one to wax nostalgic about many things, and I am certainly under no illusion that the good ole’ days were all that good, or good for all that many.  I think the past for all of us, as well as the present, consists of good and bad, success and failure, tragedy and transcendence. No doubt the future will be the same, though if collectively we could remember the mistakes of the past, then maybe — just maybe — at least some of the future would be appreciably better for everyone. But I digress…

     Older people tend to live in the past. They save everything, revive old memories through boxes of keepsakes and yellowed photographs, and live in houses furnished in the freezer of time. They tell you who they were, what they did, and how they prevailed — often with remarkable accuracy of dates and details, even as they are unable to remember what they had for lunch that day. In many ways, living in the past is safer: at least you know how things turned out.  You have a story, with yourself as the main character, and maybe a moral to go with it. Even if the story didn’t end particularly well, it’s still your story and yours to tell however you wish. That’s important because, as I once heard writer Sondra Cisneros say, “… if you don’t tell it [your story], someone who doesn’t love you will tell it for you.” Oh my.

     Politicians and popes aren’t the only ones who pine for a positive legacy. Everyone wants to be remembered well, to leave something significant behind, and to feel as though they’ve had an impact, however small, on their times. The current craze for genealogy research and DNA kits speak to the point: life is brief, but family and reputation endure. Some people leave a legacy of major contributions through philanthropy or humanitarian aid; some leave lasting political, cultural, or historic accomplishments; some leave lasting lessons for an immediate circle of lives they’ve touched, smaller rings of influence perhaps, but no less important. Few of us die without leaving anything behind, a modest financial nestegg perhaps, to heirs or to a cause, or maybe a simple treasure trove of dog-eared recipes or favorite family stories to our loved ones.  Whatever the case and whatever the means, all people as they age, rich and poor, famous and ordinary, start to think about what they will leave behind and how they will be remembered by whomever is left to care.  

     The popular TV show, “Who Do You Think You Are?” dramatizes the highs and the lows of this quest for deciphering a legacy through the avenue of family research. Everyone wants to be related to kings and queens and statesmen and to find out that their ancestors were heroes, but alas, many discover they are related to scoundrels, slave owners, despots and thieves. This is not generally a happy revelation for anybody, but especially not for well-known people finding out dark family secrets in the full illumination of prime-time programming! The reactions of the celebrities to the facts about their ancestors are generally far more indicative of who these famous people really are than the facts they’ve uncovered.

     And so it is for most of us, I think.  We all, Americans especially, like to think that we are “self-made” men and women, unique and forward-thinking, industrious and inventive.  Horatio Alger may have died in 1899, but his rags-to-riches stories are still being written every day in this Country by scores of people in pursuit of The American Dream. We do not, as a people, live in the past; we are always about the future, about more, bigger, better, faster, newer. Nor are we a very old nation. As nations go, we’re barely a pre-pubescent teen, now rebelling against the traditional values of our American family, now testing the limits of tolerance for our outbursts and bad behavior, now trying to decide who we want to be when we grow up. History is not always kind and it may not be destiny, but we repudiate it or, worse, revise it at our peril because, well — “those who don’t remember the past…”

     So, here’s to Mother’s Day this weekend, to all the mothers and the oldsters among us who do remember the past and want to talk about it. Let them describe the way things were back in “the good ‘ole days,” and let them explain why they think they lived in “the best of times.” Listen to the stories, but look for the lesson. 

     And remember that the next time you lament that you’re turning into your Mother.

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If Truth Be Told…

I was never a big fan of the Bushes, though I did meet Barbara Bush at a luncheon when I was named a White House Distinguished Teacher back in 1990, so I was sort of partial to her and  her particular devotion to literacy and education. It was in June, right after her tour de force commencement address at Wellesley College in which she showed, to an initially skeptical student body, that ardent feminism and fierce independence is not at odds with duty to family, kindness to others, and respect for differences.  

     Recollections of that Washington experience, of Mrs. Bush and her wicked sense of humor, of her white hair and Kenneth Jay Lane pearls, came back to me as I watched the funeral service for her on television a couple weeks ago. Other First Ladies have made significant contributions during their husbands’ tenure as president, of course, but as eulogists pointed out repeatedly, her efforts to bolster literacy in this country became a life-long passion, one that she was still actively pursuing just weeks before she died. Barbara Bush knew the power of words, and she held a steadfast belief in the power of literacy to safeguard democracy and to make America a stronger, healthier, more prosperous society.  As she wrote in her 1994 autobiography, Barbara Bush: A Memoir, “After much thought, I realized everything I worried about would be better if more people could read, write and comprehend.”

     Amen to that!

     In 2016, the Oxford Dictionaries’ word of the year was “post-truth,” a term that describes a situation in which facts are less influential in shaping opinion than emotion and personal beliefs. It implies an inherent disregard for experience, expertise, scientific research and objective facts. In other words, throw out the principles of The Enlightenment, which have dominated Western thought and progress since the 17th Century. Forget any historical or cultural context through which to evaluate current events —we don’t know history anyway, don’t want to study it, and don’t want to admit that there might be lessons to be learned from it. We are, all of us, firmly fixed in the now: we are our own experts, our own “citizen journalists” on social media, our own arbiters of the truth. We are all equal, and we are all entitled to our own opinions.

     Except we’re not, and deep down, everyone knows that, which is why so many people are angry and disgruntled. No wonder our level of national discourse has sunk to new lows; it’s hard to have an “enlightened” conversation with people who eschew the basic values of The Enlightenment. It’s hard to follow the narrative with people who don’t want the facts to get in the way of the story. And for that matter, it’s hard to have discussions with other Americans who seem to have abandoned all concepts of civility, respect, truthfulness, graciousness, decency, and honesty — what were once known as “traditional American values” — who can only counter with insults and vitriol.

     When I was teaching (back when I won that award) and we had classroom discussions, often heated, and classroom debates, always structured and defined, students would sometime dissolve into “everyone is entitled to their [sic] own opinion” when their argumentative skills and their skimpy facts failed them. And I would always counter that,  “No, opinions formed in ignorance without foundation are worthless. You may hold them, but please, don’t foist them on the rest of us.” Today, all these opinions are foisted all the time on everyone, and frankly, it makes me tired. Like Barbara Bush, it makes me worry and fear for the future of our democracy. Ignorance born out of youth and inexperience is one thing; every teacher, like me, has made it a life-long quest to combat that kind of ignorance, but willful ignorance, sustained ignorance, ignorance in adults born of hubris, anti-intellectualism and infatuation with self disgusts me, because that sort of ignorance operates only to subvert and exploit others.  And so yes, go on and call me an “elite.” If being highly-literate, well-read, well-educated, a published writer and an English professor puts me in that category, then I am proud to claim membership.

     Don’t tell me that people, intelligent people, reasonable people can’t tell the difference between “fake news” and real news. Of course they can! Propaganda, which is basically sound bites disseminated to convert and persuade, relies on repetition much as advertising does: if you repeat it often enough, people believe it and it becomes “true.” Spin news, circulated among the “faithful” who only watch, read, listen to, or adhere to what they already believe or want to believe, is known as “confirmation bias,” which means there is never any dissenting version or opinion to be received in the delivery. And news slant, meaning a network or newspaper’s leaning toward liberal or conservative viewpoints, or with great effort and resolve toward balanced non-oppositional poles,  is for the discerning reader/viewer — the one Barbara Bush hoped to educate and elevate through literacy so that he/she could be informed and make reasonable, informed decisions. That’s the reader/viewer I spent most of my life trying to cultivate, both as a writer and as an educator, and that is the reader/viewer I still try to be by exposing myself to a wide variety of news sources and editorial opinions, even the ones I deplore. This is the bulwark of the first amendment and the fourth leg on which our democratic government depends.

     So back to Mrs. Bush.  She was the First Lady in a transitional time, less tumultuous perhaps than our own, but still difficult. Yet, she recognized the importance of words and championed the value of an educated, literate population. Truth is not elusive; it is there, and it is not impossible to recognize, if only people will embrace it.

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Inspiration

     Inspiration; where does it come from? And what do you do with it when you have it? I, being a writer, write it down: endless notes, ideas, configurations, interpretations, quotations. I have always been an inveterate note-taker, so this is my default mode. Words conjure more for me than pictures, although I do, on occasion, make sketches.

     I have just spent a week, well five days, at the international convention of the Studio Art Quilt Associates here in San Antonio, where inspiration abounded (including from the architecture of the Art Deco Drury Plaza hotel above, built in 1929, where the event was held.). I am proud to say that one of my art quilt pieces, “Busted,” was juried into the exhibition at the convention (see the Gallery), and I was encouraged and supported by the critical commentary I received. More than that, however, I was inspired by some of the other works on exhibit. Wow! What people can do with fabric and how they can translate not only their ideas, but their feelings about those ideas, is …well … inspiring. Other artists inspire and challenge me to do better.

     And then there were the workshops and seminars. One of the speakers, Miki Rodriguez, herself an accomplished art quilter and instructor, inspired me with her challenge to take a risk, to dig deep into your heritage and put yourself out there in your work.  Likewise, the keynote  speaker, Jane Dunnewold, an accomplished art quilter, teacher, and author of  several books, spoke about the need for an artist to take care of herself and nurture an unfolding creative spirit.  Again, “digging deep” was a recurring theme.

     When the conference was over, my art quilt, “Art Glass Quilted” (again, see Gallery), arrived back home after its six-month sojourn from the initial show at the Center for Contemporary Arts in Abilene , TX, to the Museum at Texas Tech University in Lubbock, to the Dallas Quilt show in March. It was nice to welcome the piece back again, and to see that it had withstood its journey well, even though I had been concerned about the fragility of some of the embellishments on it. This will forever be a special work for me since it was my first art quilt juried into an exhibition. Hopefully, with new-found inspiration, there will be more.

     And so I am thinking about more. I am reviewing my notes, looking at my sketches, and reviewing some of the projects I’ve had in mind for quite a while. I have to decide where to go next. I want to grow, but I also want to settle into a style that is uniquely, recognizably me.  Yes, I want to enter future exhibitions, but I don’t want to simply try to meet specific guidelines for a particular exhibition; I want to do work that is from my heart, my memory, my experience, my passion. I want to do work that only I can do. Don’t we all?

     But now here I am today, after a week of inspiration and another week of trying to process it all, right back into the ordinariness of  my ordinary life — filing my income taxes, doing spring clean up, attending to mundane chores like laundry. Whole mornings and whole afternoons evaporate in a fog of  good intentions. Life intrudes; obligations intrude; the world intrudes. They say that “life is what happens while you’re making other plans.” The challenge to that meme is to say “no,” to insist on the priority of your plans and to find the time, the place, and the space in which to nurture the creative spirit. 

     I used to tell my students that “a real writer is a person who writes,” who doesn’t just talk about it or think about it, but who actually does it, regularly. Moreover, a “real” writer generally seeks an audience, wanting to share words and ideas and thereby contribute to the broader conversation of humanity. I think this is true of all artists. The purpose of art, any art, is not only to be a form of individual self-expression, but to be a means through which others might be engaged and inspired. 

     And so here we are back at that word again: inspiration. Ultimately, inspiration produces  work, something that can be evaluated, shared, used or enjoyed by others. Those who pursue the arts, especially those who don’t make a living at it, are often reluctant to call themselves “artists” thinking the title presumptuous, but I think considering one’s self an artist is a matter of seriousness of intention. Everyone starts somewhere, of course, but some go further to build skills, establish a process, and perfect a practice that will ensure ever better results. That, to me, is an artist at work. I’ll leave it to critics to argue about the end product, whether something is or is not art, but from the humblest attempts to the greatest masterpieces, all art matters — even bad art! 

     Collectively, the arts (or lack thereof) define a culture and keep it alive for ages to come. And that notion, in itself, is inspiring.