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Christmas Joy

 For as long as I can recall, my favorite Christmas story has been Charles Dicken’s The Christmas Carol.  I don’t remember exactly when I first heard the tale, but I think it was through print when my Mother read it to me as a child. The whole story captivated me, set as it was in the dark days of winter with the miserly Ebenezer Scrooge who, after being visited by three spirits on Christmas Eve, is totally transformed from a stingy curmudgeon into a kinder, gentler man. (Would that such overnight transformations could affect more men today!)

     Dickens wrote The Christmas Carol in 1843, and his public readings of it up until his death in 1870 proved very successful.  The earliest film version, a silent movie, was produced in 1901. After silent movies, the one that many still consider to be the best even today is the oft -repeated 1951 film with Alistair Sim as Scrooge. In 1954, Frederic March starred in the first musical version, and an updated musical with Albert Finney was released in 1970. George C. Scott starred as a truly irascible Scrooge in the 1984 version (my personal favorite), but Patrick Stewart gave a respectable rendition in the 1999 film. I have seen almost all of these and have, of course, read Dicken’s novella, even aloud, numerous times. In all these years, it has never been out of print, and while there have been over 20 different film renditions in the modern age, including musicals, animations, and even a spoof, its resonance with contemporary audiences does not diminish. Timelessness is the very definition of a classic and I simply HAVE to watch some version of  The Christmas Carol every holiday season. 

     For the first time in ten years, our little family returned to Cape Cod for Thanksgiving this year. One of our favorite spots for shopping on Black Friday was a shop on Route 28 called Christmas Joy. It was there in 1987 that I bought my very first Byer’s Choice Christmas Carol figure, Jacob Marle (copyright 1987, made in Chalfort, PA). In subsequent years and visits to the Cape, I collected the whole cast of characters that Byer’s Choice produced. I now have Scrooge and the three spirits, plus the Fezziwigs and the Cratchits, including Tiny Tim, in all eleven of them including a town crier announcing a Dickens reading of the story. They march proudly down my long library shelf. These Byer’s characters are among my most favorite Christmas decorations, not only because they depict the story that I love, but because they remind me of our many Thanksgivings spent on Cape Cod.

     After a ten year absence, I am happy to say that the venerable Christmas Joy shop is still in business (since 1976) on Route 28 and still selling Byer’s Choice figures. (See above.) And I am pleased to report that many of our other pre-holiday Cape Cod favorites over Thanksgiving are still intact and in operation. For example, we had lunch at the  historic Dan’l Webster Inn in Sandwich, MA, renowned for their chicken pot pies (which we had); we stayed at the gracious Chatham Bars Inn in Chatham, where we had stayed in 1987 in the very first year they began to be open year-round to include Thanksgiving; and we visited the Chatham Light (1877), one of the few lighthouses still in operation,  today as a US Coast Guard auxiliary. So much history, and so many memories.

     Thanksgiving on the Cape heralded the holidays for us for many years, not only because of the quaint shops and holiday decorations, but because it was always late November when the Atlantic is misty and moody and cold — sort of like Dicken’s London in the late fall of the 1840s.  We had friends with a house on the Cape, and often had Thanksgiving dinner with them, but we also had our own favorite haunts and our own little traditions. One of them, while sitting in traffic on I-95 on the return trip home to Connecticut, was stopping in at a giant Toys Are Us store just outside of New Haven to shop for presents for our son who was with us, of course. (He had long since given up belief in Santa and delighted in picking out his own toys; he is still a persnickety shopper.) We always returned home on the Saturday after Thanksgiving, as we did this year, and on Sunday, I always made a turkey dinner so we would have leftovers.  And so I did that this year too.

     In many respects, these days of  pre-Christmas are the best days of the season. We haul out our decorations and review all the events associated with them; we see old friends and renew old acquaintances; we write holiday cards and hear from those far away. As we get older and grow into adulthood, the thrill of Christmas morning and the anticipation of presents under the tree pales in comparison to the cherished memories of Christmases past. We remember the loved ones we no longer have with us and the loved ones we are grateful to still enjoy. Before the frenzy and beyond the shopping-day countdown, these early days of Advent offer us exactly what they are intended to offer: a time to contemplate what really matters at Christmas.

     Here’s wishing you Christmas Joy.

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Beacons of Light

     The lighthouse: a symbol of hope, a sign of safety, an icon of our seafaring past. By most estimates, there are approximately 700 lighthouses in America of which roughly 75 percent are still operational.  Except for the very first lighthouse, the Boston Light on Brewster Island (built in 1716; damaged in the Revolution and renovated in 1783), all are now automated. Today, the Boston Light is the only official lighthouse with a human keeper.

     Of the ten oldest lighthouses in the U.S., six are in Massachusetts. Not surprisingly, with its rugged Atlantic Coast and its long, dangerous seafaring history, the East Coast has about four times as many lighthouses as the West Coast. Interestingly, however,  Michigan has more than any other state  — all that Great Lakes trade and exploration, you know.

     I grew up on the Texas Gulf Coast, where the mood was calm, the waters were warm, and the beach was full of shells and sea glass. When we went to Padre Island we would drive until there were no more people in sight before we planted our umbrellas, even in the summer. There were some lighthouses down at the bay, the Matagorda Island Light in Port Lavaca (1873), the Port Aransas Light (1857) in Aransas Pass, and the Point Isabel in Port Isabel (1852), but I never gave them much notice.

     My first introduction to the North Atlantic coast was  going “down the shore” (as my New Jersey relatives and Bruce Springsteen put it) to Atlantic City when I was in college. My laid-back Gulf Coast experience and those care packages of salt-water taffy that my aunts had lovingly sent me over the years hardly prepared me for this bustling Miss America Boardwalk, the hoards of people, and the giant amusement park out on the Steel Pier. I was told that the beach was wide and white and beautiful, but who could see it blanketed solid as it was with bodies? It was wild and, besides, the water was cold.

     Once married and living in New York, my first trip to Jones Beach on Long Island offered a similar experience.  My mother-in-law insisted we go to the beach for breakfast, so we got up at daybreak and fought heavy traffic on the Southern State in order to secure parking in a lot close enough to the beach to lug all the food and supplies and to garner a place on the sand by a grill. Whew!  It too was wild, the water was 55°, and we were done by 8 a.m.. 

     Beach experiences were similar all along the Northeastern Coast, in New York, New Jersey, Massachusetts, and even in Connecticut where we eventually settled along Long Island Sound in Fairfield County. The beaches, lovely though they were, were always crowded, the water was always cold, and the traffic was always horrendous. It sort of took the fun out of beach blanket bingo.

     So, while I never came to understand the attraction of the beach in summer for Northerners, all that time sitting in traffic and all that time walking around in coastal communities did lead me to finally notice lighthouses and to begin to appreciate their unique place in our history. I first “got hooked” in New Jersey by the Sandy Hook Light* with its 95 steps; it is the oldest working lighthouse in the U.S. (1764). Then I fell in love with the Montauk Point Lighthouse* (dating from 1796), a National Historic Landmark situated on the easternmost point of Long Island Sound in the town of Montauk. Over the years in Connecticut, almost all the lighthouses (20) along the Coast became familiar to me. Some are typical New England style, but many are unusual and distinctive, sitting as they do out on shoals in the water or clinging to a rocky ledge. One of my favorites all the way out at the end of the State is the Stonington Harbor Light* (1840), which is no longer a working lighthouse, but now a lighthouse museum.

     And then there is Massachusetts, with its 192 miles of coastline and 60 lighthouses, 14 of which are on Cape Cod. And it was here at Thanksgiving 22 years ago where I finally, finally discovered the secret to loving the beach in the Northeast. For me, that love is not found in the summer, but in the late fall when the crowds are gone, the fading light reflected off the water is hypnotic, and the fine mist of the Atlantic floats over the seashore like a dream. This is New England at its moody best, evoking whaling history and 19th century novels, its lighthouses illuminating thought and inspiring hope. 

     I have written before about how my family and I came to make Thanksgiving on Cape Cod an annual tradition, one that stopped abruptly once we relocated to Texas. (“Turkey Trotting,” 11/20/16)  This year, we are reviving that tradition and returning for the holiday to the Chatham Bars Inn “at the elbow” in Chatham. Along with visitors and locals alike, we will no doubt stop at one of the most-beloved and oft-photographed active lighthouses on the Cape, the Chatham Light. Originally built with wood in 1841, it was later replaced with two new cast iron towers in 1877, one of which was later brought to Eastham where it became the Nauset Light*. The former keeper’s house of the Chatham Light is today a U.S. Coast Guard station where on-duty personnel operate search-and-rescue missions, enforce maritime law, and monitor Homeland Security.

     Having fallen in love with Cape Cod and become so enamored with lighthouses, I eventually made a “block-of-the-month” quilt called “Beacons of Light” (above) depicting twelve well-known lighthouses around the country, four of which are highlighted in this text (noted by *).  I signed on to this ambitious year-long project, which took me two years to do— where else? — at Heartbeat Quilts in Hyannis. (Sadly, the shop is no longer open.) When not displayed in my studio, the quilt finds use in our guest room, aptly called “the Cape Cod room” because it is decorated in white and blue and features works by Cape Cod artists.

     It’s been ten years since we spent Thanksgiving on the Cape, and I am eagerly looking forward to returning, even without sufficient winter clothes should there be snow. The Cape means peace to me; it has always offered a gentle reminder to remember the past, give thanks for the present, and sustain hope for the future. We all need those beacons of light to keep us on course, especially in troubled waters. 

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Enough Already!

     Enough. We use the word all the time, but what does “enough” really mean? Is it synonymous with the end, as when we scold a whiny child saying “Enough!”  How about “That’s enough” when we push back from the dinner table, or “Enough of this” as an expression of frustration with a tedious task? 

     Sometimes enough is already too much.

     In a response to a letter from a parent about the limits of support for an adult child, syndicated advice columnist Carolyn Hax identified  “the personal search for enough “ as one of the major challenges of adulthood. That one simple observation —stated as it was within a much larger discussion of what constitutes good enough, hard enough, happy enough, reliable enough, honest enough—struck me as so succinct and so profound that I couldn’t help but wonder why it had never occurred to me before. Certainly, in a more-more, faster-faster, bigger-bigger consumer culture like America’s, we have become a nation of grown-up children who obviously never conquered that particular developmental challenge!  The dire consequence of that failure, of having too much or not enough and lacking the maturity to acknowledge which is which, now finds its collective expression in the political, social, and economic divisions of an angry, suspicious population.  

     Incongruities abound in such a culture and constantly thwart the efforts of those of us who do try to define enough for ourselves. BOGO! screams the sign. “But I only want one,” I say to the cashier, who insists that I take the extra one as well. Retailers must have a storage problem too. Where is Costco going to put all those huge pallets of toilet paper and paper towels and diapers if they don’t sell them, and where are we supposed to put them when we get them home?  Once the garage is full, then we’re forced to live like hoarders inside our houses, with boxes under the beds, dishes stacked on counters, and everything else from extra clothes to Christmas wrap to tchotchkes headed to Goodwill piled in the guest room. Never mind where to put the car (or the guests); most families where I live seem to have more cars than they do licensed drivers, so the garage wouldn’t be adequate anyway, even if both (or three or four) of them were empty. Who can recognize enough when it’s buried under all the clutter!

     Prioritize,  downsize, simplify: these have become the mantras of our age, but they, too, beg the question of enough because they all require that choices be made — and one choice inevitably precludes another. If you’ve spent any time around small children you know that they have a hard time accepting limits and understanding that they can’t have it all.  Sometimes, so do adults. The classic conundrum of the early women’s movement, the working woman vs. the stay-at-home mom, compelled many of us, myself included, to challenge out-dated gender roles in an effort to prove that women could do it all, be it all, and have it all — even without a wife to pick up the slack!  What we learned during those long years of career-building, child-rearing, family-managing and house-keeping is that yes, one can perhaps have it all, but only sequentially, not all at once all the time every single day. Ironically though, having learned that lesson and knowing it to be true, many of us, both women and men, continue to live our lives juggling wants, needs and expectations in a perpetual quest to find the right balance.

     Having enough is not always about the possessions or the money per se, but more often about what those assets come to represent. In an essay about the “post-economic” super-rich (those who have no financial need to work), writer Alex Williams describes the pursuit of wealth as a competition with others that turns into a personal addiction. (“Why Don’t Rich People Just Stop Working?” The New York Times, Oct. 17, 2019) Studies of the super-rich over the years have often shown that those at the top tend to work longer hours and spend less time at leisure even when longer and harder cannot possibly enhance the bottom line. Evidently, they just don’t know how to stop; their entire raison d’être comes from capitalism and their relentless pursuit of success becomes a lifestyle drug. Without more projects, more goals, or more money, these individuals face a loss of personal identity and an existential void. There is never enough to allay those fears.

     But more than enough does register with some.  Witness Bill Gates’ and Warren Buffett’s Giving Pledge, in which a growing number of billionaires in American and around the world have pledged to give away at least half their wealth during their lifetimes or in their wills. While philanthropy will not solve the problems of income disparity, the moral obligation to share the outsized wealth of a few can address some of the social and cultural needs that government cannot. Philanthropy is truly the gift that keeps on giving; foundations such as those created by 19th century families of great wealth such as the Carnegies and the Mellons are still operating and contributing today.

       Wealth and well-being are relative concepts in every age and at every socio-economic level. What sociologists call the “relative income hypothesis” is a normal human tendency to compare ourselves with others around us. Such comparisons activate some of our best impulses — a generosity of spirit and a willingness to share our own good fortune — and some of our worst — jealousy and resentment at the good fortune of others. Either way our attitude depends on how we define enough. To paraphrase an oft quoted maxim, “Gratitude is the attitude that what we have is enough.”  

     With the season of Thanksgiving upon us, this is a good time to take stock, to look at the life we have and to evaluate how well we are living it. Perhaps a few “attitude adjustments” are in order to make those prayers at the Thanksgiving table more meaningful and sincere this year.  Whatever you do, though, keep the prayers short and simple, lest someone blurt out “Enough already!” 

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Close To Home

  Halloween is commonly considered a time when the barrier between the physical and the supernatural worlds is especially fluid.  The late fall holiday has its origins in the ancient Celtic festival of Samhain, when the dead were thought to freely roam the earth. People would lite bonfires to ward off evil spirits and wear costumes to deceive ghostly relatives who might kidnap them and whisk them away to the underworld. In 835, as an attempt to diminish the influence of  “pagan” celebrations, Pope Gregory III designated November 1 an official Catholic holyday to honor saints and martyrs. It is called All Saints’ Day and is still observed by Catholics and some Protestants today, but it never really supplanted the traditions of Samhain. 

       Over time, October 31 became known as All Hallow’s Eve, or Halloween, and adapted many of the practices of the ancient Celts. The secular holiday was largely popularized in 19th century America through Irish immigrants who brought their customs and beliefs, both Celtic and Catholic, across the Ocean. But of course, here they encountered a New World, a land of genuine optimism that had long since set aside old superstitions in favor of practical progress toward a modern age.  Thus, the American incarnation of Halloween had to mock old-world fears and lampoon evil spirits with its costume parties and frightful fun. Today, the scariest thing remaining about Halloween in the U.S is the amount of money spent on it  — about $9 billion last year. 

     So this is how we got to the itchy latex masks, the tacky polyester costumes, the ghoulish props of blood and bones, the bats, the cats, the rats and all the other common accoutrements that make Halloween not scary at all. Even the haunted houses and midnight horror movies promoted around the country are so full of character clichés, gratuitous gore, and elements of ridiculous melodrama that you end up more likely to die laughing than to die of fright.

     Such silly nonsense. When I was a girl, I handed out candy to little goblins and occasionally attended parties with some friends, but mostly I avoided all the craziness and stayed close to home on Halloween. We lived with my grandmother, who had been born in the 19th century, and thus was already quite old; she was not exactly a fun-loving person. Like so many children of European immigrants (German, in her case), she was extremely superstitious, she read cards, believed in charms and curses, and had her own first-hand tales of mysterious characters and local legends to tell. She did not take Halloween lightly and certainly did not think the day was suitable for frivolous merry-making. Call it schadenfreude if you wish, but I loved sitting at the kitchen table after dinner listening to her stories of dastardly deeds and fitting endings dealt by the hand of fate, and I carefully weighed her warnings about the evils lurking all around us.   

     My Mother, on the other hand, was a fun-loving person. She decorated the house, baked cookies or cakes, and improvised fun craft projects for every holiday. I’ve written here before about the elaborate birthday parties she/we planned, often employing a Halloween theme for my early October celebration. An accomplished miniaturist, she made and furnished the haunted house pictured above for my 46th birthday, and shipped it to me in Connecticut!  It stands as a model not only of her sense of fun and her love for me, but also as a vivid reminder of all those Halloweens she and I shared.

     My Mother was not a superstitious person, but she was a reader and enjoyed murder mysteries and Gothic tales. One of her favorite authors was Edgar Allen Poe. While my grandmother shared “true” stories of  local mayhem and misfortune, my Mother shared literary classics such as “The Black Cat” and  “The Tell Tale Heart.” Needless to say, I took to these tales and to others like them, perhaps because I am naturally inclined to contemplation in the dark days of fall and winter.  Even now as a fifth-generation American, all those early authors, Hawthorne and Wharton and Bierce, speak to my ancient Irish, German, and English roots in their depictions of the physical, spiritual and psychological underpinnings of ancient fears. These depictions are not usually overt; they are subtle, implied, suspenseful, and all the more frightening because your own imagination fills in the blanks. It is in literature, especially in American literature, that the true terrors of Halloween —  the existential fear of the unknown and the recognition of our own mortality — find meaningful expression. 

     My favorite Halloween story was, and still is, Washington Irving’s tale of the headless horseman in “The Legend of Sleepy Hollow.” The headless Hessian was supposedly decapitated by an American cannonball during the Battle of White Plains, which took place around Halloween in the Revolutionary War of 1776. This harrowing but humorous tale presents Ichabod Crane, a hapless Connecticut schoolteacher, in arduous pursuit of the comely Katrina Van Tassel, daughter of a wealthy Dutch aristocrat. Returning at night from a party at the Van Tassel estate, where the men had reveled in shocking ghost stories and boasted of encounters with the horseman, Ichabod soon finds himself being pursued through Sleepy Hollow by the Hessian himself. At least we think he is actually pursued. In any event, Ichabod disappears and is never heard from again.  Imagine my delight when, years later while living in Connecticut,  I realized that the setting of this famous tale (and the author’s home) was merely a short drive away over the Tappan Zee Bridge to Tarrytown, NY. 

     There are other headless horseman stories, of course (including one based on a South Texas folk tale about an Irish adventurer in the War with Mexico), and many more Gothic tales of  horror and suspense, but the point is that classics endure because they are authentic and meaningful no matter how many times we revisit them. They force us to confront the fundamental truth of our existence whether we want to or not, and dare us to persevere in spite of our nighttime fears. Now if that isn’t a real trick-or-treat proposition, I don’t know what is!

      So, if you want to be safely spooked and spiritually enlightened this Halloween, stay in your house, eat some candy, and read — unless, of course, your house is haunted.

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Friday Night Sounds


For most people, the sounds of fall are rustling leaves, a whispering wind, or maybe the mournful whistle of a distant train. For me as a girl growing up, the unmistakable sounds of fall were the cheering crowds, the drumming bands, and the exuberant exclamations of Friday night football announcers at the stadium not too far from my house. When the air was clear and the wind was just right, I could hear it all, envision it all as I sat out in our swing on the front porch. I would smile and listen and dream about being in high school myself one day and becoming part of it, maybe even becoming a cheerleader. 

     Now you might think that all the drama of Friday Night Lights, in the book (1990), the movie (2004), and the television series (2006-10), was somehow a gross exaggeration of the intrigue and importance of the high-school football scene, but you would be wrong. For countless small communities — and even some not-so-small communities, like San Antonio — high-school sports, especially football, embodies the essence of school pride and serves as the centerpiece of social life in the community (pep rallies, parades, fund raisers, overnight trips, athletic scholarships, school championships, and awards dinners). Moreover, football figures prominently in the social hierarchy of the school: the quarterback, the team captains, the MVPs,  the cheerleaders, the pep squad, the Homecoming court, even the coaches and the adults in the booster clubs. These are always popular members of “the in crowd”  in town because football, especially in Texas, is not only a BIG thing, but likely the ONLY thing going on.

     Of course, times are changing and so is awareness. While football remains far and away the number one most popular sport in America, safety issues, especially Chronic Traumatic Encephalopathy (CTE), have become major risks even for professional players (note this weekend’s concussion of Pittsburgh Steelers’ Mason Rudolph), much less for younger boys whose growing bodies and defensive skills have not yet fully developed. The result is that youth participation in the sport continues to drop. According to the National Federation of State High School Associations, 20 schools nationwide have eliminated football altogether,  including junior varsity and freshman programs; fewer than 1.04 million high school students played in 2017. (Bogage, The Washington Post, 8/28/18)  Add increasing district costs, demographic shifts, political controversy, collegiate athletic scandals, and growing interests among youngsters in other international Olympic sports to the parental concerns about gridiron injury and it’s easy to see why football at all levels is undergoing something of a “market correction” these days.

     Even so, fall is still synonymous with football for most Americans, and not just in Texas. I’ll admit that my fondness for the game today is rooted more in my high-school experiences than in any present devotion to the Texas Aggies or the Dallas Cowboys. You see, those long-ago dreams conjured by the Friday night sounds on my front porch did actually come true: I was elected cheerleader in 9th grade. My friends Judy and Nancy were elected too, proving at least in part that practice really does make perfect, or perfect enough. Our hours and hours of incessant jumping and tumbling and dancing, outdoors like popping corn in the heat, and indoors until window panes rattled, were “not for nothing.”   

     In our school, there were six cheerleaders, all female, elected by the entire student body. Popularity was part of it, of course, but performance and commitment counted for a lot. I can still remember that day as a freshman walking out into the middle of the huge gym to face the entire student body to give my speech about why I wanted to be a cheerleader (as though any girl in the audience needed to be told and any boy really cared) and to do my audition yell. I also recall swearing to myself that I would never pray for anything else in high school if I won that day; I considered it a small miracle when I actually did — and a bigger miracle still when I continued to win every year thereafter until graduation (and so did my friends).

       I was fortunate to be elected to other things and to receive other honors in high school, but nothing ever even came close to giving me the pride and the confidence and the teamwork that being a cheerleader did. I knew everyone, and everyone knew me. I extended my friendships far beyond the small cliques typical of most teenage girls and I built relationships not just within the school, but in the community at large. I grew into a leader, refining the skills of organization, communication, and motivation that would prove to be my strengths as an adult. Cheerleading even got me my first teaching job as a camp instructor for the National Cheerleading Association the summer before college! 

     You can say what you want about the cliché of being a blond Texas cheerleader, but I can tell you that there are worse ways to be identified. Years later, as a high-school English teacher in Connecticut, my students often referred to me as “a cheerleader” because I would never give up, not on a project, or a problem, or any of them. Even my Mother, bless her, in her later years after multiple strokes, used to joke that I was the proverbial cheerleader in her camp.

     The memories of all those long-ago Friday nights, the lasting friendships and positive lessons they generated, still comfort me and make me proud even now, especially as the South Texas weather begins to turn to echoes of fall and I celebrate another septuagenarian birthday tomorrow. Friday night sounds still echo in my head, and they’re good.

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Farther Off 5th

  The harvest moon has been glowing beautifully in the evenings here in the last official week of fall. It’s still hot outside, of course, but the days have taken on a fallish flavor, slightly cooler, slightly duskier, slightly less intense. The mood has prompted me to my long-standing, post-Labor Day ritual of the changing of the closet. Even though seasons don’t change here all that much, I still persist in packing away my summer clothes (mostly white/light linens) into the cedar chest, and pulling out my fall and winter clothes (dark cottons and a few sweaters). 

     Now you would think, given where I live and the fact that I am more-or-less retired, that this “changing of the wardrobe” business would be fairly quick and easy, but you would be wrong. It took me four days this week. First comes the culling of the closet, you see, and the folding of the items to be stored: linens and short-sleeve blouses, shorts, swimsuits and cover-ups, patio dresses and palazzo pants. From there, it’s on to the cedar chest where I’m met by the piles of fall clothes last placed on top in the spring. Some of these items get aired outside, some go into the laundry, and some that had a dubious determination in the last change-over, as well as older, heavier pieces that have lain in the very bottom of the chest for a long time, must all be reevaluated yet again. 

    This cedar-chest ritual was established during 40 years of living up East and working and teaching and needing a professional wardrobe that could handle any weather challenge from snow to rain to summer heat. Now, of course, things are a little different and wardrobe demands are dictated more by the travel destinations we have in the offing than by local weather patterns. But as the saying goes, “Old habits die hard.” Certainly, this particular habit gets decidedly longer and harder each year, and I’ve been trying to figure out why. 

     Maybe it’s because my very first job as a newlywed in New York City was in the garment industry. I worked in menswear in an office on the 54th floor of the Empire State Building at the corner of 34th Street and 5th Avenue. Not only was I right across from the venerable B. Altman & Co. department store (my favorite until it closed in 1990) and just three blocks down 5th from the flagship Lord & Taylor store (closed in January of this year), but I could easily walk farther up 5th on my lunch hour to Sak’s, Bonwit’s, and Bergdorf’s; the Macy’s at Herald Square was my daily subway stop! (For a fascinating history and information about the grand names of retail, see, an on-line museum.)

     Mid-town Manhattan was then, and to some extent still is, an international mecca for shoppers, as well as the epicenter of clothing manufacture and retail sales in America. And there I was, a newly-arrived young woman from Texas, right in the middle of it all. I had always liked clothes, of course — what girl didn’t?— and I had even acquired a passing familiarity with the sewing machine, but this was waaaay more of an immersion in style and fashion than the occasional mother-daughter shopping trips to fancy department stores in Corpus (Lichtenstein’s, sold 1972) or Houston (Sakowitz, bankruptcy 1985) or San Antonio (Frost Bros., bankruptcy 1988) that I had experienced while growing up. This was the real deal, the everyday living-and-working deal at the source along 5th Avenue. 

     My workplace colleagues, native New Yorkers all, were eager to show me their City and equally generous with their time and knowledge about the garment industry. This is where I learned about design and construction, quality and workmanship at different price points; this is where I began to develop my own sense of style and to understand that good taste is not only about price (just ask style icon Iris Apfel); and this is where I began to shop seriously and choose wisely, to appreciate lasting value, and to see clothing as an investment in one’s self.  

     My love affair with fabrics really began as I visited mills, watched weavers and designers at work, and experienced the “feel in hand” of a material’s body and weight. To this day, I have to touch a textile, whether in clothing, on furniture, or on the bolt, before I buy. I soon acquired my own sewing machine, took specialty courses and tailoring classes and developed my home skills with the help of Vogue® designer patterns. From apparel, I moved on to home decor, to sewing draperies and window treatments, table linens and upholstery. Ultimately, I found quilting — or rather, quilting found me — and then art quilting. And now here I am, having come full circle, albeit within different, concentric circles.

     All those lessons from long ago still resonate but, at the same time, they have been more broadly interpreted and applied over the years. Yes, the solid black-grey-taupe palette of the typical New York woman continues to dominate my wardrobe today, even as I dwell among the prints and pastels favored in the South. I still buy “investment” pieces, though not as many as I used to, and I still read the “Style” section of The New York Times and peruse the fashion pages in the Sunday edition.  Remarkably, I even have a few, very few, articles from those early years when I lived and worked in New York: a well-worn black fedora, a stunning pair of Bruno Magli evening shoes, an iridescent taffeta ballgown skirt, in taupe. Timeless pieces all, whose time has come and gone, along with the needs, the youth, and the figure of their wearer.

     Clothes become a tactile scrapbook. One touch brings to mind the circumstances of where, when, why and how we acquired these garments, and going through them forces us to confront the realities of what will likely never be again — whether it’s fitting into that size, or living in that place, or attending those parties. We hold on to our favorites, to the hat or the gown or the scarf, because we fear that by giving it away we will lose the memories of the people and the image of who we were, of who we like to think we still are. And that is unsettling.

    And that, I think, is at the core of why it is taking me longer and longer to get through my closet each season. I’m moving farther and farther off 5th, and it doesn’t look like I can get off this bus.

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September Morn

Ah, September at last. It’s been a long year, and a long hot summer, so the arrival of September brings relief, at least to the spirit if not yet to the body. With my biological clock having long ago been set to the circadian rhythms of the academic year, I feel automatically buoyed by the prospect of a fresh start in a fresh season (one that is my favorite) when back-to-school days roll around. 

     I got a jump start on fall over the Labor Day weekend when I made a quick trip up to Connecticut to surprise a dear friend on a landmark birthday. Actually, the trip was a last-minute decision, since I had lost track of exactly which birthday it was and so didn’t realized it was a big one until I called her to let her know that a gift was in the mail. She told me that her daughter was giving her a party over the weekend, not only just for her, but probably as much because the whole family needed a reason to celebrate after what had been a difficult year of illness and loss for all of them. 

     I felt badly when I got off the phone and decided that if I could get a flight and make the party in time for a surprise, then I would go. Better to celebrate than to mourn, after all. As it turned out, there was one airline that could get me from San Antonio to Hartford on the weekend, and one cheap(er) seat left. Obviously, it was meant to be, so I booked it. 

     The gods smiled on me the whole way: no delays, no weather, no traffic, and even an upgrade at the rental car desk from the “roller skate” I had reserved to a Chevy Malibu with a real engine. I soon found myself zooming down I-95, singing along with the radio as I drove.  No fall colors dotted the Connecticut hills yet, but the day was crystal clear, autumn crisp, and sky blue, as many often are in early September in the Northeast. It immediately brought 9-11 to mind.

     It has been eighteen years ago now, but anyone who lived and worked in the greater New York area then, as I did, can still tell you exactly where he/she was on the morning of September 11, 2001, and exactly how the news broke of the first crash into the North Tower of the World Trade Center at 8:46 a.m. (EST). Then, as now, I was driving the Connecticut Turnpike, singing along with the radio on a glorious fall day, on the way to my Tuesday morning classes at the college. 

     Coincidentally, my husband was also driving I-95 at the same time, headed into Manhattan for a meeting. The news of the attacks came on the radio: first of the crash into the North Tower, which no one could readily identify; then the crash into the South Tower a few minutes later, which began to suggest an orchestrated attack; and finally, the crash into the Pentagon at 9:37,  which confirmed all our worst fears. By the time I pulled into the school parking lot a little after 10, there were already preliminary reports of some “incident” unfolding in Pennsylvania. I got out of the car and stood looking up into the sky on this beautiful, flawless day, feeling glad to be alive and to have lived the life I had lived — and then I called my husband to say good-bye.

     The days and weeks after that were spent in a state of suspended animation — closed schools, closed bridges, closed airspace, constant fighter jet and helicopter flyovers, stockpiling of food and water — all in anticipation of the next big event. Thankfully, it didn’t come, but those of us who were there then never believed it couldn’t happen again, and we certainly never forgot. I had booked a trip to Texas for early October that year, I remember, and there was much anxiety about that in discussions between me and my Mother and my son, who was also down in Texas in graduate school. Once the airspace reopened in New York, I decided I had to go as scheduled; I couldn’t live my life in fear.  And I still feel that way now, having since made many trips all over the country and world, to Europe, Egypt, Africa, Asia, the Middle East and wherever else terrorists have or might have struck. My resolve comes from 9-11. 

     Oddly enough, so does my most vivid recollection of a perfect fall day.

     I returned home from Connecticut last week to find skies here crystal clear and blue, too, and even temperatures slightly cooler — down to the high 90s. Knowing there would be little else beyond my own decorating efforts to suggest that fall had arrived in San Antonio, I had taken a collapsible bag with me on the weekend to fill with an “artificial autumn” from my favorite crafts and home stores up there. Thus, inspired by a few days in New England, nurtured by the warmth and affection of dear friends, and armed with some props to dress my house for the season, I am now enjoying fall, at least indoors, waking up each day glad to be alive and living the life I’m living. 

     “September morning still can make me feel that way.” (September Morn, Neil Diamond)